On stage they replicate at the position of creation in existence
The paintings piece in technique expresses an existential manifesto approximately the significance of artwork in our lives and a declare about the region of diversity in creation. In season on the Santa Catarina theater till September 14, it immerses the viewer in the inner voice of the actors thru a sequence of monologues while the our bodies are in steady movement in a choreography of bodily theater that flows with the speak.
With the route and dramaturgy of Myrna Moguel, it's miles a manufacturing of Teatro UNAM, in collaboration with TransLÃmite Alternativa-Escénica and Teatro Ciego MX.
Is art critical? What function does he play in these days’s society? How is an artist created? What prejudices do human beings with extraordinary our bodies face? These are some of the questions on this paintings that makes an emotional replicate not most effective of human beings with specific competencies, however to all people who lives turbulent and puzzling moments.
The theater injects me with lifeexpresses one of the actresses, whilst referring to the war that is managing fatigue and recounts the matters that make her irritated.
The writer, as Cultura UNAM disseminated, stated that she seeks to be a window to new audiences and an opportunity to provide a voice to people who are usually invisible. “It is a venture that questions the scenic languages used to arrive at an expansive manufacturing, averting the term ‘inclusive’ and opting for an offer that speaks to the spectators from distinctive components.”
Different list
The forged is made up of 4 actors, some of whom are visually impaired. They are Maricarmen Graue, who experiments with the interpretation of live song; Alejandro Rosas, trained on the National School of Theater Art, as well as Érika Bernal and Marco Antonio MartÃnez, who presently direct the Teatro Ciego business enterprise.
▲ The play has the course and dramaturgy of Myrna Moguel; is a co-manufacturing of Teatro UNAM and TransLÃmite Alternativa-Escénica and Teatro Ciego MX.Photo courtesy of UNAM Theater
Before the feature an experience is performed contact excursion, in which the general public is invited to technique the level to the touch a number of the few elements which might be used all through the staging, along with boots, a hat and an armchair included in red velvet. In addition, for short moments they speak with the 4 actors who take part in the play.
Moguel, director of TransLÃmite, pointed out that one of the premises of the manufacturing is to generate expansive work and create a message wherein blind, deaf humans or those who do no longer live with this condition can communicate, stated the actress, writer, supervisor and playwright in a video unfold with the aid of Teatro UNAM. The paintings raises a large question about creation and what it's miles for in our lifestyles.
A level without main visible factors opens up the possibilities of expression, supported via aerial dance, cello music, the sound of water and the ocean, projections from a display and even the translation of a lying down corrido. The piece also gives types of accessibility, which include stay audio descriptions and vernacular sign language.
The play piece in process The season ends on September 14, with performances Thursday and Friday at 8:00 p.M., Saturdays at 7:00 p.M. And Sundays at 6:00 p.M., at the Santa Catarina Theater (JardÃn Santa Catarina 10, Coyoacán). Tickets are simplest sold on the field office, more than one hours before every performance and with coins charge.
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