Baglioni returns stay with the whole show "aTuttoCuore"

On degree for 3 hours making a song over 30 of his maximum famous hits together with performers, dancers with a stay orchestra, scene modifications for every music, lighting, lasers, to create a show within a show, a complete show that reaches the target market: right here is “aTuttocuore” by Claudio Baglioni, a incredibly visionary rock opera show, located among beyond and future.

The Roman singer-songwriter, at the age of 72, holds the scene like a thirty-12 months-antique, occasionally he additionally indulges in choreography with the dance troupe, and usually sings with the same timbre of voice that made him precise: from the baritone scratch that involves quasi-soprano. “aTuttocuore” is a display that closes a trilogy opened some time in the past, in a few methods we'd say self-celebratory because it ought to be for the whole thing that Claudio Baglioni represented and represents in Italian song.

A rock opera show, which isn’t all that lots rock, however as the singer-songwriter himself explained throughout a post-rehearsal press convention late at night time, “it’s the context, the electricity this is transmitted that makes it think” like an opera display rock. In reality the sounds are diverse: permit’s pass from rock, to pop, to swing, some notes of jazz, in the preparations of his songs. For instance, the interpretation of “Notti” with the wind gadgets as the absolute protagonists of the piece is all to be seen and listened to.

The show offered on the event of “Porta Portese” changed into lovely, where on stage it truly seems as if there is the well-known Roman marketplace, very colourful, pleased, lively, with all the characters that one happened to fulfill or still happens nowadays. The overall performance of “The ladies of the East” with dancers and Avatar snap shots is completely projected in the direction of the future, attesting that the whole thing modifications, everything evolves and “the women of the East – as Baglioni himself defined – are not the ones of earlier than. They weren’t already after I wrote the piece.”

Three hours of live performance is a long term, “make your self secure – warned the singer-songwriter before beginning the rehearsals – but time passes way to the display system selected. The most intimate second isn't always missing, to go away room as an instance, for his greatest success of all time: “This little massive love” which Baglioni plays alone, at the piano, with out an orchestra. There also are medleys of different successes. After all, you can’t sing the whole lot, due to the fact the songs that Baglioni wrote are such a lot of: “I composed 350 of them – he defined – up till the second one album I were given via and managed to do them all, then step by step, we move toward the anthology method. There are also five songs from the ultimate yr on this show. After all, now we’re again to the announcement pieces, as in politics…I’ve continually found myself in issue with the setlists. When you're making suggests open to a larger range of human beings, it’s no longer simply an target audience of connoisseurs, so that you make anthologies.”

Claudio Baglioni, after a minimalist and intimate period with “Dodici word Solo”, from Thursday 21 September might be at Roma, on the critical Foro Italaco with this new display. In Rome he's going to carry out on 21, 22, 23, 28, 29 and 30 September and then move on 6-7-eight October to Veronaon 12-thirteen-14 of the identical 12 months Palermo and 20 and 21 a Bari. Then off to the indoor arenas as of January: a Pesaro, Milano, Torino, Padova, Bologna, Firenze, Eboli.

“aTuttocuore” is a mission inspired and conceived with Giuliano Peparini who also takes care of the inventive and theatrical route. The idea is to soak up Wagner’s intuition of the entire theater and that developed by using Walter Gropius of the theater created via remodulating areas and architecture. “aTuttocuore”, a stage art display, starts offevolved in a sure feel from the sunrise of time to reach at futuristic eras with ascents and descents alongside the scales of time, a red coronary heart that dominates, beats and pulsates to make the spectator take into account that the The simplest real time really worth dwelling is consistent with the beat and rhythm of the coronary heart. The time of now, as Claudio Baglioni sings at the cease of the display along with his very well-known music “La vita è ora”.

They then slide away 38 songs, with songs whose verses are inside the imagination and common language of Italians and not only that, they have got pleased and retain to thrill vintage and new generations. Performers and dancers move to choreographies by using Giuliano Peparini and Veronica Peparini which at times seem from the 70s, up to these days’s modernity and with movements that recall superb works. The costumes deserve a separate applause: there are 550 of them, unique and made by means of Valentina Davoli and Silvia Oliviero and they're certainly beautiful. The jackets worn by Baglioni whilst acting sure songs are unmissable:

“In fact, a few – he explained – are from the period of that music. And then they consolation me, they're a uniform, a safety, a mask”. During a live performance, we witness the scenographic fusion among cinema and theater, between costumes that still recollect movies which include “Mad Max” or “Code Genesis”, the staging of a “choir” nearly from a Greek tragedy. “There are 101 people on stage – stated Baglioni – and then I’m there too. To be particular, there are 21 members of the orchestra (performed through Poaolo Gianolio), eighty people consisting of choristers, dancers, performers”. (28 come from the International Academy of Musical).

“aTuttoCuore” closes the trilogy opened through “Al Centro”, endured with “Tutti su” and consequently ends with a show that offers itself “with all its coronary heart” to embody and involve the public. “What I desired to do now – explained Peparini – is to recommend a brand new interpretation wherein all the technical and inventive sources of a remarkable display may be modified on level. I created the show in this kind of way that the spectator, from afar, has his eyes full of it With choirs and performers, dancers and movies, I imagined an immersive display.

“It is in a sure experience absolutely the final chapter of the trilogy – delivered Baglioni – it brings collectively the musical element that attempts to locate different visions, different paths and wants to go past the written tune. It is likewise very fun to do a live performance like this, I find out many stuff from rehearsal to rehearsal. Ultimately it's far a kind of wonderland, it additionally marks the return to a pre-adolescent scenario that is a pleasure to revel in, the display is a game and I think that whoever comes for those three hours decides, chooses, to come and listen to us ought to be amazed and amazed, amazed by using what he sees”. A display which, as Baglioni himself hinted, could be a type of dress rehearsal to then go back to the massive stadiums.

“In reality it's miles – explained the singer-songwriter – we want to rediscover the measurement among stage and audience. Here there is lots of sweat on stage. We are rehearsing to go back to a larger area without losing this measurement of closeness with the target market. It is the end result of a tremendous work – commented the singer-songwriter – complicated. The spectator must be helped to spend his money well. Covid had closed the whole lot, now there may be the exceptional return to stay performances, to indicates, to the football stadium. Spectator possibly is afraid of getting to head lower back internal, at home. The audience need to be guided and we have a obligation. This is a annoying live performance, a complete display. There are many languages, many meanings that can be visible in a single feel or another. The ability of the poet or director is to make sure that the spectator makes his very own interpretation. We don’t ought to usually do the same aspect. When I don’t recognize what to do – concluded the Roman singer-songwriter – I start doing as I actually have already accomplished, that is 156 live shows on my own. Which is the true basis of my career, the so-referred to as alternate union minimum. But then there's this, this is, the reality that we ought to now not stop: a rock display that can be pop, can be something we need. We name it that to distinguish it. Rock works because there's dynamism, electricity.”

And there’s a whole lot of electricity coming.